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Glossary

Framing Policy

Some of the works on chancellorsart.com are framed. If the print is not already framed, we do not offer a framing service as tastes in frames are so individual. However, we can give you advice about the style of frame that would suit your print, and we can recommend conservation framers.

FAQs

What is an original print?

An original print is created when an artist makes a new piece of work using one or several printmaking techniques. There are many methods to choose from such as screenprinting, lithography, or etching. The print is the original artwork. This is not the same as a reproduction which is when an original painting is photographed and mechanically printed.

How should I care for my print?

Ensuring that your print is displayed in the best possible conditions will allow you to enjoy it for longer. Here are some quick and simple tips.

Framing

Your print should be framed to conservation standards. Check with your framer that they work to this standard. Contact us if you would like a free leaflet that explains conservation framing in more detail.

- Glass

Do not frame your print with the glass pressed directly onto the image surface as this can damage it. Instead, frame your print with an air gap between the print surface and the glass. UV resistant glass is not essential and can be more expensive, but it will block out harmful UV rays. Non-shatter glass should prevent the print being damaged if the glass breaks.

- Mount board

Prints are sensitive to acidity levels present in non-professional framing materials. Acid can cause problems such as fox marks (brown spots). Therefore, it is crucial that the mount board is acid free.

- Adhesives

Never use standard masking tape, sticky tape, or blu tack for holding your print in place. These will deteriorate with time, may leave sticky marks on your artwork or damage it when removed and have high levels of acidity. Acid free framing tapes are readily available and should be used by your framer.

Lighting

Prints are particularly vulnerable to light (UV rays). Too much direct light can lead to discoloration and changes in texture, so it is important to strike a compromise between the benefits of light for viewing your print and its potential dangers. Artworks should not be hung in direct sunlight. Artificial light can also be harmful. Lights near the top of the picture frame can heat the work and cause discoloration. We would recommend that artificial lights are kept at a minimum distance of 14" / 36 cm from the print surface.

Humidity

Prints will be badly affected by extremely humid conditions. This can cause an uneven print surface and discoloration. Prints can also be damaged by water. Therefore, bathrooms and places where liquid may be spilt such as kitchens are not recommended.

Heat

Intense heat can affect both the colour and texture of artworks. Art should not be displayed close to radiators or placed in direct sunlight.